11 yıl önce Opening credits and theme song of the 1986 movie "Deadtime Stories. " Lyrics by Jeffrey Delman, music by Larry Juris. 12 yıl önce The anthology, which are all written and directed by Jeff Monahan, will consist of three 30-minute films, including "On Sabbath Hill... 7 yıl önce What's scarier? The fact that I managed to find a good dropped pilot, or the pilot itself? 7 yıl önce EXCLUSIVE for the PIPERazzi! From one of the episodes Piper appears in! Our viewers have a secret sneaky link into the... 11 yıl önce Trailer for a 1986 US film. Director: Jeffrey Delmen Starred: Scott Valentine, Nicole Picard Alternative titles: * Dead Time Stories... 7 aylar önce Thanks to Ale Thurner from Dead like Juliet for lending his awesome voice to us! ❤ Official Track from our upcoming LP release... 7 yıl önce EXCLUSIVE for the PIPERazzi! From one of the episodes Piper appears in! Our viewers have a secret sneaky link into the... 2 yıl önce Sometimes there are some truly bizarre people that show up at the front desk of the hotels and motels across the country at 3 am.
(FILMAFFINITY) Premios 2006: 2 nominaciones al Oscar: Mejor director, montaje 2006: 2 Premios BAFTA: Mejor director y montaje. 6 nominaciones 2006: Círculo de críticos de Nueva York: Mejor película 2006: Asociación de Críticos de Los Angeles: Mejor director 2006: American Film Institute (AFI): Top 10 - Mejores películas del año 2006: 2 nominaciones Critics' Choice Awards: Mejor película y director 2006: Sindicato de Guionistas (WGA): Nominada a Mejor guión original 2006: Asociación de Críticos de Chicago: 3 nom., incl. Mejor película Críticas "Tremenda recreación en tiempo real (... ) Greengrass impregna su ficción de un terrible aire documental en el que los minutos vuelan pero los segundos pesan y oprimen la pechera. (... ) Puntuación: ★★★★ (sobre 5). " "Escalofriante (... ) el resultado es espeluznante, pero brillante, y respetuoso, y no es lacrimógeno porque sí. " Borja Hermoso: Diario El Mundo "Apasionante reconstrucción de los hechos (... ) Lo mejor: los 20 minutos finales. Lo peor: sobra jerga de controlador aéreo. "
10- 16 Days of Glory (Bud Greenspan) Part of the illustrious and daunting 100 Years of Olympic Films Collection, I pick out this film in particular (not to disregard others in the collection) as a shining example of how the art of film can bring life into not just scripts but, well, real life. Over a sweeping 284 minutes, the team flexes a keen eye for the athletes (the Joan Benoit segment is a must-see) and the unique, fiery atmosphere the Olympics can bring to a place like L. A., it really is a cinephile's chance to cheer at a sports event. 9- Scenes from a Marriage (Ingmar Bergman) A film that uses its **297** minute runtime to illustrate the complexities of human connection. The hefty size of this film itself is a testament to the necessity of taking time to understand people. And that is how the two central characters are treated: not just characters but real people. 8- Fanny and Alexander (Ingmar Bergman) Director bias? Maybe. But again, no one does introspective, touching human dramas like Mr. Bergman.
Several of "POWAQQATSI's" images point to a certain lethargy affecting its city dwellers. They could be the same faces we saw in the smaller villages but they seem numbed; their eyes reflect caution, uncertainty. And yet POWAQQATSI, says Reggio, is not a film about what should or shouldn't be. "It's an impression, an examination of how life is changing", he explains. "That's all it is. There is good and there is bad. What we sought to capture is our unanimity as a global culture. Most of us tend to forget about this, caught up as we are in our separate trajectories. It was fascinating to blend these different existences together in one film. " To be certain, POWAQQATSI is a record of diversity and transformation, of cultures dying and prospering, of industry for its own sake and the fruits of individual labor, presented as an integrated human symphony -- and with Philip Glass' score providing the counterpart, performed with native, classical and electronic instruments, its tribal rhythms fused by a single majesterial theme.